Friday, August 26, 2011

Introductory Portfolio

1) Dress-Up 

My face isn’t on, she said. I stood
chicken-legged in denim overalls, a quilted
 magenta daisy stitched on the left chest
pocket, which hid the cotton-pad adhesive,
the thin plastic sheet suctioned to nothing;
mosquito bite boobs are hardly boobs, much
less breasts—I was flat as her ass, she said. It
must have been a big-girl joke, because when
I didn’t laugh she said, you’ll understand
when your older. She forgot to tell me
how old older is, so I guessed eight—I was
seven. Never married, and never even brought
a man home, she lived with papa Craig n’ ma’mo,
her bedroom redolent of talcum and de-
hydrated rose wallpaper. In the corner, a paint-
chipped chair tucked snug under great-great-grand
mother’s vanity—my personal beauty salon, she
chimed, let’s get all gussied-up. On tiptoes
I watched as the folded bag rolled loose across the table-
top, stretching end to end; inside, toys similar to
the ones on my Christmas list: Grey chalk for eye-
lids, brown color pencils for the bank lined with lashes, a black
brush to comb lashes up and out, and something like a curling
iron for more curl. She penciled her lips midnight red, never
coloring inside the lines with the same. I liked poppy pink
best; That's just like a good little girl, she said smiling with
mocha-rose ink on her front teeth. When she finished, it was my turn.
Papa said I looked like a circus clown; ma'mo went and pulled out
her slick six-inch Sundays for me. I felt weighed down, like the time
I became a pocket-book hanger—she said a woman never leaves home
without a matching bag; or the day I sat still for a free up-do session,
who knew a jar of pins and a can of spray hurt like holding your
breath for too long, but pain is beauty. I thought if being big meant
playing every day with Aunt Tootie, I’d like it. (She only puts on curly, sand-
brown hair hat now, and I— I just ask when I can cut my hair off
too, to be big and not worry about grey hair.) One day you'll be big
enough to play big all alone, she laughed as I prissed down
the calico carpet runway of their hall. 

2) Erectile Dysfunction

There’s nothing funny about this, he said,
but that only turned my laughter into raging fits
of hysteria. A real knee-slapper, I thought. He
must’ve missed the euphemism; the playful pun: my poon
is dry and yours’ standing tall like those in East
India. Always read the fine print; eight hours in
and still hard wood. I wish I could’ve shown him how
to laugh, really cackle with head thrown back, mouth
spread wide as hollow voices dance in and out then
in again, and then out and in-out of his throat—give
him a hooker’s dance and blow, help with the pounding
pulses; the blue balls.

But he only gnashed teeth at me—music in itself,
those cannibal porcelains roughly playing
together. I wish I could have said that we need foreplay
like cat-and-mouse; hissing and squeaks under-
neath mocha flannel. A stack of erotic
visuals, or a real life house-call who smells of
cigarettes and latex might help—Maybe he would spit-
up a wail of joy… or two. Pun intended.

 I wish I could have said,
Lighten up, baby. Listen to the echoes of pleasure
my laugh brings. But I could not slow down
or steady the pace of breath’s legs, racing from
my lungs and hitting the wind pipe’s straightaway with
gasping speed, long enough to speak before he threw
off the only shelter covering the ‘rare’ side effects of
Viagra, before the arousal—the disjunction between an
erection and erectile dysfunction—could bring me down.  

3) The Humor in Disjunction 

There’s nothing funny about this, he said,
but that only turned my laughter into raging fits
of hysteria; a real knee-slapper. He must’ve missed
the euphemism; the playful pun: my poon’s
 dry and yours’ standing tall like those in East
India—always read the fine print, eight hours in
and still hard as wood. I wish I could’ve shown him how
to laugh, cackle, with head thrown back and mouth spread
wide as hollow voices dance in and out then in again,
and then out and in-out of his throat—give him a hooker’s
dance and blow, help with the pounding pulses; the blue balls.

He gnashed teeth—music in itself, hearing those cannibal
porcelains roughly playing. I wish I could have said we need
 foreplay like HBO soft porn; candles and moaning and hardly
covered oily parts. A stack of erotic visuals, or a real life house-
call who smells of cigarettes and latex might help—Maybe
he would spit-up a wail of joy… or two. Pun intended. I wish
I could have said, Lighten up, baby. Listen to the echoes of pleasure
my laugh brings. But I could not slow or steady the pace of breath’s
legs racing from my lungs; hitting the wind pipe’s straightaway with
gasping speed, I choked; he threw off the only shelter covering
the ‘rare’ side effects of Viagra. The arousal—the disjunction between
erection, erectile dysfunction—couldn’t bring us down.  

4) Domesticated Mom

Twenty-five cents, twenty-five silver
circles for twenty-five times more seeds.
Hold yur hands, she said, like a beggar
in wont. I only stared, eyeing burnt ivory
lace-trim cut from greatma’s best thanks-
giving slop-top; chalk white lines flowing down
the torrents of her wrinkled wind marks. Yur
paw n’ me fed these yellow quacks fur twenty-
five years, fur twenty cents less the whole five,
now its upta’ yew n’ Thomas, yur ma never mind,
she ain’t much more n’ Lucky, lame and not
the same color yellow, she said. Lucy,
once Lucky, not anymore Lucky, so now
Lucy was momma. Momma in the middle oiled
a different Lucky, stained in dark Lucy—
I found her. 

5) Formal Love 

It would be stomach-sick off
the mind’s trampish desires:

humping the bag boy between
Publix’s tight-fisted produce

section and the lobsters in
their sickly, unfiltered tanks

reeking of week old bloody
tampons and the Butcher’s

B.O.— still lingering close
by; of mind fucking Mr.

Square Rimmed poetry
Junkie right in the denim-worn

worm hole below his brass belt buckle.
Formal consummation never asks,

Which orgasm felt better? Don’t judge.
Remember make-up test mornings,

those hot-for-teacher squeals lipping
off Italian phrases, praises, while wild

eyes rolled back, head tilted. Another
A in Spanish. Really—hot July never

licks dew off freshly-budding tulips,
nor blisters about the stains you left

atop the flat paneled wood-oak
swivel chair in office 124.

Fantasies come and go:
as quick, as multiplied, as orgasms.

1 comment:

  1. Sydney,

    Domesticated Mom stands out for its use of expurgated southern dialect expressions. The expressions seem to throw themselves and leap right up off the page. The use of recursive technique is inspiring throughout the entire piece! The use of the letter “w” appears almost unprecedented. The meaning, the mentioning of feeding the yellow quacks for twenty-five years and now leaving it up to Thomas is clear. I remain a bit confused about Thomas,’ Lucy. The color of her skin has either changed or was never the same. The last two lines of the poem appear metaphorical and I’m anxious to talk to you about this one for clarity. Overall, I like the above mentioned style and technique this piece has. It is interesting.

    Sheila

    ReplyDelete